Happy 2023 from the Studio Players Diversity & Inclusion team! If you are NOT auditioning for one of the 7 acting roles, please briefly read through the Ensemble sides(#4 and #6)regardless so we can see your charisma on stage. We get Meaning for free, whether we like it or not. When she arrives, she plays a Businesswoman, but this actor plays Bart in Act III. If you would like to give a public performance of this monologue, please obtain authorization from the appropriate licensor. Research Playwrights, Librettists, Composers and Lyricists, See more monologues from Anne Washburns hypnotic, sly and fiendishly insinuating Mr. Burns, a post-electric play does the improbable: It makes the end of civilization seem like the perfect time to create glowing objects of wonder and beauty. Time Out New York, Read More, Downright brilliant. Upgrade to PRO This is weird. Live theatre is a major entertainment form in the new society. Learn. Scripts and rental materials are not included in this estimate. From a small town, with few personal connections. [3], The play, a dark comedy, had its world premiere in May 2012 at Washington, D.C.'s Woolly Mammoth Theatre Company. The cost and license availability quoted are estimates only and may differ when you apply for a license. This is only an estimate. but they have had years of practice and are highly motivated to do an excellent job. For the safety of all of our patrons, we reserve the right to ask you to leave the premises if you are unable or unwilling to follow these guidelines in their entirety. Mr Burns. The videotaping or making of electronic or other audio and/or visual recordings of this production or distributing recordings on any medium, including the internet, is strictly prohibited, a violation . NEVER MISS A REVIEW: To get all my reviewsplus curated local, national, and international theatre coverageonce a week, sign up for my newsletterIts free! New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall Burns, a Post-Electric Play, Anne Washburns 2012 apocalyptic phantasmagoria about hope, storytelling and The Simpsons. At Theater Wit in Chicago, Jeremy Wechsler, its longtime artistic director, is offering an expressive new staging that leans on the horror of the last 18 months to draw out the works fresh urgency. Providing Quality Theatre at Affordable Prices Since 1937, #4 Best American Play sinceAngels in America New York Times, 2018. Mr Burns asks how the. Please also be able to read roles from the Ensemble Sides Side 4 and Side 6. Guilford High School Theater Arts production of Mr Burns: A Post Electric Play. Mr. Burns is meant to be an early exemplar of that. Additional showtimes are 7:30 p.m. Feb. 9-10 and 12-16 and 2 p.m. Feb. 9-10 and 16-17. We will be mixing it up among the group of auditioners in your time slot. Maybe theyll take you in there., (Washburn, Anne. He was most well-known as the co-creator of the critically-acclaimed musical Bloody Bloody Andrew Jackson, which premiered in New York at the Public Theater and subsequently transferred to Broadway. YMMV /. 250 W. 57th Street Seating unlike our previous policy is general seating so audience members may space themselves out as needed. All performers sing in Act III. She's the author of Mr. Burns: A Post-Electric Play, an audacious three-act drama that takes place in three different eras: right after the apocalypse, seven years after that, and 75 years further . They are over 10 feet away at minimum from audience members while they are on the stage. Mr Burns: A Post-Electric Play. Sign Up. your cast and design team, but I hope it will be as much fun and reward as it is, now -- but Ive now been involved fully with three, productions of it and have arrived at some observations about aspects of the play, which may not be obvious in the script or which run counter to actors usual, instincts, and which I think it would be inelegant or not quite possible to specify in, the text, but which I think are necessary for the play to live fully and of which I think. They are purchased ahead of time online or may be purchased at the door. [2][3] At Playwrights, the show ran until October 20, 2013. [6], Washburn continued to revise the play for its European premiere at the Almeida Theatre in London in Spring 2014, and a new draft was published by Oberon Books. A major part of her point, it seems, is that we build culture out of artifacts: The Simpsons Cape Feare episode riffed on Martin Scorseses 1991 film Cape Fear, starring Robert De Niro, and that film was, in turn, a remake of the 1962 Robert Mitchum vehicle. 2. An unspecified disaster has set off a chain of events that involved the meltdown of nuclear power plants. It received polarized reviews and was nominated for a 2014 Drama League Award for Outstanding Production of a Broadway or Off-Broadway Play. Be ready to sing 30 seconds of your favorite song (a cappella), if asked.] When we first did the show in 2015, we would sing audience members names that were there that evening, Wechsler said. Over the course of the plays three acts and three-quarters of a century timespan, casual storytelling evolves into theater, theater evolves into ritual, and one Simpsons episode evolves into a myth and legend for a post-apocalyptic world. Mr. Burns, a post-electric play is a dark American comedy by Anne Washburn, featuring music by Michael Friedman. to learn more about this monologue from Mr. Burns, a Post-electric Play and unlock other amazing theatre resources! Anne Washburns imaginative dark comedy is an animated exploration of how the pop culture of one era might evolve into the mythology of another. Read honest and unbiased product reviews from our users. Gain full access to show guides, character breakdowns, auditions, monologues and more! Anne Washburn's 2012 play about a post-pandemic society reckoning with loss has not aged at all, our critic writes. Our performers while on stage will not be masked. Mobile eTicket. A story about a group of survivors after an apocalyptic event may seem familiar and clich, but the UC Davis production of Mr. Burns, A Post-Electric Play intends to introduce a unique twist to this plot with dynamic characters, dark humor and thoughtful themes. By Act III, it is 2098, and the full cast is in an musical performance of a bizarro version of The Simpsons, and they are only defined (in the play and below) by their Simpsons roles. Join the StageAgent community Department of Theatre Arts. The play marries two increasingly common pop-culture pastimes. The story, characters and morals have changed into more serious and epic forms. WTF is one of my favourite responses at the theatre. Then Act 3 threw me for a satisfying loop. Mr. Burns, a Post-Electric Play (stylized Mr. Burns, a post-electric play) is an American black comedy play written by Anne Washburn and featuring music by Michael Friedman. Here is a civilization wrought in despair, lost and mostly alone, trying to find happiness by recreating an episode from "The Simpsons." . So many things. In the play the survivors of a North American apocalypse barely salvage food or weapons but in abundance they salvage culture in the form of the Simpsons, and specifically the 1993 episode "Cape Fear." Or even 75 years? On this Wikipedia the language links are at the top of the page across from the article title. Act III, too, has transformed: Its ceremonial theater piece seemed sharper, or maybe I understood better that we need the grandeur of a chanting masked chorus to communicate apocalyptic horror. The design team is mostly intact from the 2015 production, though the set and costumes in Act III are more of, as Wechsler put it, a fever dream this time. Being generally musical, familiar with sheet music, or simply able to hold your own in the car or shower is likely welcomedbut a willingness to sing on stage, in itself, is a requirement. Thats what were doing. January 19 & 20 at 6 pm in the Shasta College Theatre. Maria: A bit of weird chick. Doesnt really know The Simpsons. Find helpful customer reviews and review ratings for Mr. Burns a Post Electric Play at Amazon.com. Seventy-five years later, these are the myths and legends from which new forms of performance are created. London: Oberon Modern Plays, 2014. Sam: Ex-military. It is also set later in the year, with how people passed time during the pandemic in mind. Director Madelyn Osbornes choreography is a winning combination of sex and hilarity. . Upgrade to PRO For example, Mr. Burns has been combined with Sideshow Bob (the actual Cape Feare villain) and is now a supernatural avatar of death and destruction. The poster for the original off-Broadway production at, "Excellent: Playwright Anne Washburn Talks, "Theater Review: "Mr. Burns, a Post-Electric Play" at Woolly Mammoth", "Mr Burns, A Post-Electric Play (Belvoir & State Theatre Company South Australia)", "Review: Mr. Burns A Post-Electric Play at Space Theatre, Adelaide Festival Centre", "New State Theatre Company artistic director revealed", "The Great Work Continues: The 25 Best American Plays Since 'Angels in America', "Off Broadway Review: 'Mr. As the theater group works to recreate the "Cape Feare" episode of. In the ever changing face of the COVID pandemic, Studio Players has made the following changes to meet or exceed CDC Guidelines as well as local, state, and federal laws. Is the Stage Manager in Act II and also plays Marge in Acts II and III. Join StageAgent today and unlock amazing theatre resources and opportunities. They are not trained professional actors and singers. New York, NY 10107-0102. laugh if they were hanging out around a campfire telling comic stories for fun. The Sound of Music Still he is genuinely resourcefulhe has hiked solo about 250 miles by the time he arrives. Theater Wit requires proof of vaccination and masks; the actors, who are unmasked, perform 10 feet away from the audience of the 99-seat house. But as she goes on telling the story, it begins to seem as if he never made it to the plant at all: Its not knowing, Maria recounts the unnamed character saying. [28] "Although the play's postmodern mash-up of television, film, and theater is highly entertaining, its powerful ethics resides in seeing capitalism and consumerism (symbolized by the greedy Simpsons character Mr. Burns) as the causes of civilization's decay."[29]. Photograph: Tristram Kenton for the Guardian. Michael Friedman was an Obie Award-winning composer/lyricist. By choosing to attend any Studio Players event, you are assuming all risks related to being exposed to COVID-19 and Studio Players will not be held responsible. curated international coverage + local reviews [16], Mitchell Butel took the roles of Mr Burns and Gibson, while Paula Arundell, Esther Hannaford, Jude Henshall, Brent Hill, Ezra Juanta, and Jacqy Phillips making up the rest of the cast. However, he receives encouragement from the ghosts of his family and kills Burns in a swordfight. Go to one of the Dramas. [6][3][7] It was directed by Steve Cosson who got confirmation from several lawyers that the play fell under the umbrella of fair use. Get ready to reel, New York. Thank you for your full support! Seeking 2 Actor Team for Spring The Yakima Valley College Drama Department will present "Mr. Burns, A Post-Electric Play" by Anne Washburn this winter with performances February 23, 24 and 25 as well as March 2, 3 and 4 at 7:30 p.m. Tickets are $5 for students/seniors and $10 general admission. Over the three-acts and 75-year timespan of the play, the story of the episode evolves to form a . The second act is set seven years later. Research Playwrights, Librettists, Composers and Lyricists. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall [24], The play is referred to in the 2015 The Simpsons episode "Let's Go Fly a Coot" as part of a list of recent post-apocalyptic films (despite the fact that it is not a film). Learn how your comment data is processed. Upton, England, THE GIRL ON THE TRAIN It premiered in May 2012 at the Woolly Mammoth Theatre Company in Washington, D.C., and then ran from August through October 2013 at Playwrights Horizons in New York City, commissioned and developed with the New York theater company The Civilians. Sorry, your blog cannot share posts by email. This celebration of stories reminds us we can rebuild community after . I said no he said you used my line and you never paid me for it I said I can assure you, no, he said I gave you that line, you said you didnt want it, and now youre using it, pay up. That shakin isnt perfect in this production, but it is pretty damn impressive. The play moves into the future as the cultural mythology of this tale takes an absurd evolution into cult-like engagement. Mr. Burns, a Post-electric Play. The plot is ingenious: In Act I, a group of people try to keep it together after a series of nuclear meltdowns by retelling the story of a single Simpsons episode: Cape Feare, a sendup of the movie Cape Fear. Seven years later, in Act II, those same characters, now an itinerant theater troupe, are recreating episodes of The Simpsons, commercials and hit songs. Its downright luxurious. Context. We ask that patrons do not linger in the lobby before the show, during intermission unless online for bathroom, after the show. . We have a larger sense of ourselves as being on precarious ground, Washburn said in an interview. Earlier productions I saw dragged at times in Act II, but Wechslers new staging of it is ragged and brisk. Concord Theatricals In the narrative, the characters are thrown together irrespective of life circumstances. Seeking 2 Actor Team for Spring In a not-so-distant future where the grid has failed, society has crumbled, and memories can no longer be stored on hard drives, a group of survivors come together to recreate their vanished world through the life-affirming act of telling stories under the stars. The Featured Players all have discrete solo moments in character. And one of them, comparing Wechslers 2015 Mr. All prop guns used in this production . The first act of Mr. Burns is mainly an act of observation, with characters remembering scenes and lines from the top of their heads, if not in the right order, and by the end the story has become an incredibly dramatic musical, with a chorus, multiple deaths, and Mr. Burns as the villain instead of Sideshow Bob. everyThursday! There are glitches elsewhere. Kindle Locations 1281-1293. Post was not sent - check your email addresses! "[25], Julie Grossman examined Mr. Burns as an instance of multilayered adaptation. London: Oberon Modern Plays, 2014. Join the StageAgent community to learn more about this monologue from Mr. Burns, a Post-electric Play and unlock other amazing theatre resources! The use of prop weapons. If you figure population 300 million. Sign up and get You keep trying to turn it into a Drama. Burns. The answer is just keep living.. Cape Feare, now a familiar myth, is being performed as a musical. Kindle Locations 986-1013. [19], The New York Times ranked Mr. Burns: a post-electric play at #4 on its list "The Great Work Continues: The 25 Best American Plays Since Angels in America." would be filled with people much like yourself. Join StageAgent today and unlock amazing theatre resources and opportunities. Buy Mr. Burns: A Post-Electric Play - QC Drama, Theatre & Dance tickets at the Kupferberg Center for the Arts in Queens, NY for Apr 30, 2023 03:00 PM at Ticketmaster. There are scant suggestions of age, and though pronouns are suggested below, even gender is malleable. Continues until April 21. Andrew Jessop, left, and Will Wilhelm in Theater Wit's new . Musical director Katerina Gimon has created a complex original score for this mounting and this seven-member cast sings it very well. She is not getting the attention she wants at first, but is developing a plan. Mr. Burns, a Post-Electric Play (stylized Mr. Burns, a post-electric play) is an American black comedy play written by Anne Washburn and featuring music by Michael Friedman. Plays Homer in Act II and Scratchy in Act III. "Mr. Burns, a post-electric play," written by Anne Washburn, opens Friday (Feb. 8) in Meek Auditorium at the University of Mississippi. Burns, a Post-Electric Play.. The Start: I wonder why it is that the peopl Just look at Franois he looks as if h Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. Mr. Burns, a post-electric play, reinvents The Simpsonsand gets to the heart of storytelling. Things arent funny when theyre true theyre awful. Thats not so much., (Washburn, Anne. That's just the case for a group of . Striking up a relationship with Jenny. As Bart and Mr. Burns are about to duel, the rapids pick up and they are all flung about the boat, and Mr. Burns is disarmed. Burns subtly dramatises the process of cultural transmission in a mass media era. Even jokes like Bob's hand . Chief Piggum [sic]: a bizzaro version of Chief Wiggum, Thelma [sic] & Patty Bouvier: another bizzaro name change, and a dual role. Please try again later. There will be one pre-recorded gunshot and a death by shooting. Mr. Burns, a post-electric play is presented by special arrangement with Samuel French, Inc. If you have exhibited symptoms of COVID-19 in the past 10 days, have tested positive for COVID-19 within the past 10 days, or have been in contact with someone with COVID-19 in the past 10 days, please stay home. Mr. Burns, a Post-Electric Play, endeavors to find out. However, Mr. Burns reveals that his family has been dead, and he has been speaking to ghosts. This estimator is only for non-equity/amateur productions. At a couple of crucial juncturesa first-act monologue and the Act 3 ukulele soloMcGillivray's lack of enunciation makes her hard to . Later in Act III, Mr. Burns brutally murders Homer, Marge and Lisa, and then Bart seems to kill the villain. This performance troupe is not doing a bad job. A paean to live theater, and the resilience of Bart Simpson through the ages, Mr. Burns is an animated exploration of how the pop culture of one era might evolve into the mythology of another. There are bursts of enjoyment/relief/appreciation but in general this group is. The central conflict of "Mr. Burns, a Post-Electric Play" lies in passing on elements of culture to our future generations. England, England, Accessibility Statement Terms Privacy |StageAgent 2020. Values protocol, but maybe a bit of a pedant. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. Take a look below at how you can enhance your show! No blood application will be used. The long pauses in Act 1 are important, especially the one before Marias monologue. He did not start the pandemic plotting to restage Mr. We truly hope this show is the best of all of us! This guy was bold. Playwright Washburn may be commenting on the resiliency of capitalism or on the undermining influence of commerce on art, but Act 2 basically felt like a copyright discussion to me and I didnt much care. My hope is that these are illuminating, rather than prescriptive. Regardlessof your gender,please pickanyone of the followingsides and specifically look at the main character:Mattin Side 1,Gibsonin Side 2,Mariain Side 3,Quincyin Side5, orJennyin Side 7. Burns twice in the Before Times in 2013, at Playwrights Horizons in New York, and, in 2015, which was Wechslers previous Theater Wit production. Depending on the date of your order and event, we ship all of our tickets via FedEx. This production contains strong language, violence, gunshots, strobe, and the use of theatrical haze. 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"Mr. Burns, a Post-Electric Play," by Anne Washburn at Playwrights Horizons, imagines a postdisaster world where the retelling of a "Simpsons" episode helps create security and culture. View All Characters in Mr. Burns, a Post-electric Play, Mr. Burns, a Post-electric Play guide sections. 7 years later, this and other snippets of pop culture (sitcom plots, commercials, jingles, and pop songs) have become the live entertainment of a post-apocalyptic society, sincerely trying to hold onto its past. Kindle Edition.). The dad or lieutenant of the group. Anne Washburn's "Mr. Burns, a post-electric play" brings an episode of "The Simpsons" into the apocalypse. We wanted to bring the audience in, Wechsler said, to show them we are in this together., Revisiting a Post-Apocalyptic Play in the Pandemic, https://www.nytimes.com/2021/09/30/theater/mr-burns-post-electric-play-chicago.html, Andrew Jessop, left, and Will Wilhelm in Theater Wits new production of Mr. Anyone can read what you share. Mr. Burns - a Post-Electric Play Tickets. [3], Cosson also directed the New York City production at Playwrights Horizons that premiered on September 15, 2013. Leungs set design is visually distractingWhy paint the risers in a bold black-and-white design?and it causes some problems, forcing the action too far downstage in Act 1, for instance, which messes up the sightlines. Humorous frescoes of Marge Simpson as Dorothy in The Wizard of Oz and Homer crossing the Potomac River have been moved closer to the audience. Get ready to reel, New York. Colin Thomas is a Vancouver-based editor, an award-winning playwright, and an established theatre critic. To take a line from the play: What will endure when the cataclysm arrives when the grid fails, society crumbles and were faced with the task of rebuilding?. Directed by Madelyn Osborne. The plot speculates on stories being told and transformed over the years. Friend to Maria. Lyrics by Anne Washburn. [11], It provoked an extremely divided reaction from British critics, responses veering from one to five stars. But the most marked changes are in the staging. New York, NY, Linda Ray Upgrade to PRO Seven years later, this and other snippets of pop culture have become the entertainment of a post-apocalyptic society trying to hold . If youre still reading, Ill try not to give too much away. Music, entertainment shows, and commercials - as markers of our modern culture - grow into legends of the past as . The play was mostly met with good reviews[17][18] and Butel won a Helpmann Award for his performance. Stephanie Izsak, who sings Mr. Burns in Act 3, and Graham Coffeng, who sings Homer, are particularly strong vocally. Note: Everyone participates in the second act medley, and everyone spare sings chorally in the third act with Nedra (playing Edna Krabappel) as the Chorus Leader.It should be noted that the characters in this play bear at best a passing and, in many cases, no resemblance whatsoever to the actors initially involved in the project! Buy Mr. Burns: A Post-Electric Play - QC Drama, Theatre & Dance tickets at the Kupferberg Center for the Arts in Queens, NY for Apr 22, 2023 07:00 PM at Ticketmaster. Theatre. Mr. Burns: A Post-Electric Play. Much of act one shows the direct aftermath of a nuclear disaster, poignantly seen by the character Maria's monologue. Scripts and rental materials are not included in this estimate. Upgrade to PRO to learn more about this monologue from Mr. Burns, a Post-electric Play and unlock other amazing theatre resources! What: . Gain full access to show guides, character breakdowns, auditions, monologues and more! Smart but anxious. The London production was visually and emotionally darker than the New York one, especially in its third act which resembled Greek tragedy as much as The Simpsons. In "Mr. Burns, a Post-Electric Play" the Civilians transform an episode of "The Simpsons" into something quite different at the Woolly Mammoth Theater Company in Washington. Burns. In March 2020, Theater Wit was presenting Teenage Dick, Mike Lews take on Shakespeares Richard III. Wechsler took the show online, but then he sank into a depression. The Start: I wonder why it is that the peopl Just look at Franois he looks as if h Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. This run is different from 2015 in many ways: It is the largest production in the theaters history (with help from a $140,000 Shuttered Venue Operators Grant); and although a few actors reprised their roles, most of the cast was new, including Will Wilhelm, the first nonbinary actor to play Jenny. A major part of her point . I highly recommend this show. Join StageAgent today and unlock amazing theatre resources and opportunities. Mr. Burns, a Post-Electric Play, endeavors to find out. It was directed by Robert Icke, who commissioned Orlando Gough to compose a new a cappella score for the third act. Contemporary, Fantasy/Imaginary, Multiple Settings, Spectacle, post-apocalypse, united states, apocalypse, end of the world, College/University, Community Theatre, Professional Theatre, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. When a new person arrives, everybody gets to list the names of ten loved ones. Directed by Dr. Gregory Thorson, PhD. It then examines the way the story has changed seven years after that, and finally, 75 years later. New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. Come prepared to sing and have fun! "[26] In reference to characters in the play's second act bargaining for rights to and lines from other Simpsons episodes, she noted "That permissions and copyright have survived the apocalypse brings out the absurdity of owning the rights to artistic production and dialogue and the persistence of capitalism. If you figure population 300 million. Gain full access to show guides, character breakdowns, auditions, monologues and more! Gain full access to show guides, character breakdowns, auditions, monologues and more! Look if you dont like what were trying to do why dont you go somewhere commensurate with your matchless aesthetic. But I never thought the show could save the world as it does, at least ostensibly, in Anne Washburn's odd and fascinating new off-Broadway piece, Mr. Burns, a Post-Electric Play, which opened last week to some rave reviews, a few equally passionate dissents and sellout crowds. Please come prepared with a one-minute monologue, preferably comedic. Gibson's Monologue from Mr. Burns, a Post-electric Play including context, text and video example. Ive gotten people who are hungry, and desperate. I look forward to remembering it for a long, long time. (Critic's Pick) The New York Times, Read More, Get in line ASAP. [2] Reviewing for Vulture, Scott Brown found "Cape Feare" to be "a perfect palimpsest" and commended the ending musical number as "equal parts Brecht and Bart, Homer and the other Homer". Cool. Back then, he said, the play had a funnier, sci-fi spin and a hallucinatory, giddy feeling.. An emblematic moment arrives at the end of Act I, when one character, Maria, crouched around the fire, shares an anecdote about someone she met at Walmart who courageously tried to shut down the plant. Wechsler also updated the poignant and hilarious Chart hits medley, in which the actors perform (and flub) lines from pop songs. Seven years later, this and other snippets of pop culture (sitcom plots, commercials, jingles, and pop songs) have become the live entertainment of a post-apocalyptic society, sincerely trying to hold onto its past. Or at least that is what I was thinking as I watched this pandemic-era production of Mr. [8] Samuel French, Inc. published the show's script and licenses productions of the show. Join StageAgent today and unlock amazing theatre resources and opportunities. [Note: You do not need to be a trained singer to be cast in MR. BURNS, but you do need to be able to carry a tune. [22], In his otherwise positive review, Brown noted that the play's "flabby middle act could use some tightening, to better dramatize Washburns talky deepthink. Pauses in Act II, but Wechslers new staging of it is ragged and brisk Marias monologue 7:30. Ground, Washburn said in an interview Shasta College theatre general Seating so audience while., Mike Lews take on Shakespeares Richard III past as and finally, 75 years later, these are myths! For fun arrangement with Samuel French, Inc Wit was presenting Teenage Dick, Mike take... Nominated for a license, Mike Lews take on Shakespeares Richard III from British,. Examines the way the story has changed seven years after that, and will Wilhelm in Theater &. Guns used in this estimate for a long, long time though pronouns are suggested below, even gender malleable. The plot speculates on stories being told and transformed over the years andrew Jessop left. First, but then he sank into a Drama not share posts by email of auditioners in your time.. And he has been speaking to ghosts reaction from British critics, responses veering from one to five stars years. 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