Shortly after, their collaboration began. There is a grave mistake a prospective listener can make with LaFaro, and when I say what that is, I may come off as somewhat risible, but one must do what is right: loving the Village Vanguard recordings so much that you sleep on the rest of what he achieved as a certain kind of jazz genius. Yes, the Evans dynamic provided him with a perfect setting. [11], Bill Evans said of LaFaro's Prescott bass: "It had a marvelous sustaining and resonating quality. Many believe that Evans never fully recovered from the loss, as well as that it contributed to his pattern of heroin usage, an addiction that would later kill him. Evanss illness resulted in the cancellation of a long engagement opposite Thelonious Monk at the Jazz Gallery. They needed a bass clarinetist, and he promised Scotty that he would be allowed to play clarinet and eventually the tenor sax if he took that position. In 1959, after working with trumpeter Chet Baker, bandleader Stan Kenton, vibraphonist Cal Tjader,[6] and clarinetist Benny Goodman, LaFaro returned east and joined Bill Evans, who had recently left the Miles Davis Sextet. Christian said, Scottys playing was the bible for bass playersJimmy Blanton the old testament, Scotty the new., LaFaro spent the evening of July 5 with old friends in Geneva then drove 80 miles west with Frank Ottley to visit another friend in Warsaw who was house-sitting at a place with a good stereo. That huge sound and strength of attack is finger-sprung alone. Gleason commented, It is, however, as a vehicle for bassist Scott LaFaro that the LP really impresses. Later in the year, he toured and recorded with the Cal Tjader-Stan Getz Sextet. According to Paul Motian, the death of LaFaro left Bill Evans "numb with grief", "in a state of shock", and "like a ghost". LaFaro also played opposite bassist Charlie Haden in alto saxophonist Ornette Coleman's experimental double quartet on Free Jazz. Q: When did your brother start getting interested in music? Published since 1970, JazzTimesAmericas Jazz Magazineprovides comprehensive and in-depth coverage of the jazz scene. On Sundays our family would go to church, then go to the movies in the afternoon. The great bassist is best known for his work with the Bill Evans Trio between 1959 and '61, and for the tragic car accident that claimed his life on July 6, 1961, two weeks after the trio's . Mr. Berg, whose career encompassed free jazz, soul jazz, jazz rock, and straight-ahead playing, was driving east on Route 27 with his wife when One of the most substantial biographies Ive read in recent years is the 2009 publication that Helene LaFaro-Fernandez devoted to her brother Scott. Geller recalls that at the end of Scottys first night with the clarinetist, the two went around to hear Bill Evans. Orrin Keepnews told Helene that when the trio recorded its second session,Explorations,on February 2, 1961, Scott was being very explicit about his problem; he was very reluctant to go back on the road unless it was for a lot more money. He was a tremendous talent [who] wanted to go on to greener pastures.Over the next two years, Scotty toured the country with Chet Baker, and worked around L.A. with Hampton Hawes, Harold Land, Buddy DeFranco, Richie Kamuca, Joe Gordon, and Stan Kenton. We were the kind that played a fraction, a millimeter behind. His records with Bill Evans are among the finest jazz trio discs ever made. Q: What kind of influence did your father have on your brothers music? Performers: Hampton Hawes, p; Harold Land, ts; Scott Lafaro, b; Frank Butler, d. 14 Mar 1958. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock . Performers: Chet Baker, tp; Phil Urso, ts; Francy Boland, p; Larance Marable, d; Scott LaFaro, b. Evans, according to Motian, would play "I Loves You Porgy," a song with which he and LaFaro became synonymous, almost obsessively, but always as a solo piece. Little was as star-crossed as LaFaro, and hes usually talked about in conjunction with altoist Eric Dolphy as often as LaFaro is with Evans. Once he got the gig, his college days were over. A copy of the latest annual report may be obtained from the Smith Center or from the Office of the Attorney General, Charities Bureau, 120 Broadway, New York, NY 10271. On March 5, 2014, the Geneva (New York) City Council approved making April 3 Scott LaFaro Day. Performers: Bill Evans, p; Scott LaFaro, b; Paul Motian, d. Village Vanguard, 25 June 1961. You know how some people (and you may be one of them) like to go on YouTube and listen to isolated Beach Boys backing vocals and John Bonham drum parts? ), https://www.youtube.com/watch?v=4gzwXQGvXgc, LaFaro signed on with Stan Kenton for a tour in the spring of 1959. Did you and your brother spend time at the Smith Opera House (which was Schines Geneva Theatre back then)? Youre freeboomto lock in on LaFaro, and I do that quite a bit. Bill Evans Trio. This is the best piano player Ive ever heard. It was Evanss 1956 debut album,New Jazz Conceptions. It was released in 1962. The two albums released by Riverside Records from that fabled performance,Sunday at the Village VanguardandWaltz for Debby, have long stood as his epitaph. LaFaro is one of those players who register to the ears like more than one man, generating a huge amount of sound with ostensibly little effort, and that sound resonating as direct, controlled, economical; this is part of the reason why. The National Endowment for the Arts (NEA) has We calculated our top 40 new releases of 2022 We calculated our top 10 historical/reissue You never quite knew what Chicago bassist Kelly Sill was going to play (or what he was going to say). LaFaro took the opportunity, and he was the trios helmsman. Bassist Scott LaFaro of Geneva had already achieved acclaim when he died in a car accident at the age of 25. I was also told by classical bass players that this also changed things for them because as was with all music pretty much up until then, the bass was considered more of a rhythm instrument only. She had lost her husband, then four years later lost her son, and she still had young kids to raise. LaFaro went on to perform with Victor Feldman, Chet Baker, Benny Goodman, Stan Kenton, Stan Getz and Ornette Coleman. But we LaFaros have staying quality, and my husband and I just celebrated our 60th year in this house. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock to the jazz world." Scott Yanow. After Scotty joined the Buddy Morrow Orchestra, he traveled with them all over the country until they reached California, as he really wanted to be where the West Coast jazz scene was happening. . April 3, 1936 in Newark, NJ. He used a Zen epigram in the closing of his letter to Gloria: Im trying to remember a bit of Zen I like so well: If you seek the fruits ofgood actionso shall they escape you. I try to smile everyday with that., https://www.youtube.com/watch?v=uugimR8honE, When I asked Kuhn if Scotty had similar anxieties about touring with Getz, he said no, but he recalled a bandstand incident between the bassist and the tenor player whom Kuhn called extraordinarily paranoid. One night at the Blackhawk in San Francisco, he said, they clashed. Later in high school, kids would go to the movies with their friends, or boyfriends, or girlfriends. . Steve Kuhn, who felt a brotherly kinship with Scotty and says his sudden death was the first major loss of my life, describes him as very strong-willed. (He also says that LaFaro, who was a fan of Formula One and sports car racing, drove a little too friskily for my taste.) A case in point was LaFaros departure from Kenton, which was precipitated by his displeasure with the bands new drummer, a situation that would repeat itself in 61 when he insisted that Stan Getz replace drummer Pete LaRoca. I get 10 to 12 emails a day asking about Scotty. 52.119.1.55 The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock to the jazz world. Genres. Three of the tunes from their setBaubles, Bangles and Beads; Where Do You Go; and Airegin were released on CD in 1994. His death came just ten days after recording two live albums with the Bill Evans Trio, Sunday at the Village Vanguard and Waltz for Debby, albums considered among the finest live jazz recordings. That is what so many families Sunday ritual were like. The 25-year old Scott LaFaros death in a car accident shortly after was a major shock to the jazz world. Become a member and get exclusive access to articles, live sessions and more! Ornette Coleman, Eric Dolphy, and others were also featured, and LaFaro drew notice from Dan Morgenstern inMetronomefor a solo remarkable for its technical skill and musical weight. The piece was Schullers Variants on a Theme by John Lewis (Django), which he would also appear on in December when Schullers work was recorded for the Atlantic Records release,Jazz Abstractions. Stan said fine. Kuhn and drummer Pete LaRoca were Scottys choices, but in the midst of a two-week engagement at the Sutherland Hotel on Chicagos Southside, LaFaro had got tired of LaRocas playing. LaFaro died in an automobile accident on July 6, 1961, in Seneca, New York,[5] on U.S. Route 20 between Geneva and Canandaigua,[9] four days after accompanying Stan Getz at the Newport Jazz Festival. I adored him, and I was thrilled to be able to work with him. Showing all 2 results. My sense has always been that the music of this slipstream space needs him, all but knocks on his door and asks the helmsman to come out again. [14] On April 4, 2014 a ceremony to rename a downtown street Scott LaFaro Drive took place. Remembering Geneva's jazz legend Scott LaFaro: An interview with his sister Helene LaFaro-Fernandez - Smith Center for the Arts Smith Center for the Arts CONTACT US 82 Seneca Street Geneva, NY 14456 315-781-5483 BOX OFFICE Tuesday-Friday 10am-4pm ADMINISTRATIVE OFFICES by appointment boxoffice@thesmith.org Well, Michael Cera did play a bassist in Scott Pilgrim Vs. the World. AMAGANSETT, N.Y. - Acclaimed tenor saxophonist Robert Berg was killed Thursday when a cement truck skidded across a snow-slicked road and rammed into his sport utility vehicle, East Hampton police said. Performers: Bill Evans, p; Scott LaFaro, b; Paul Motian, d. 7 May 1960. Those six numbers with LaFaro making up what became the Booker Little album are a masterclass in postbop bass. Press question mark to learn the rest of the keyboard shortcuts, https://www.youtube.com/watch?v=gZ_rZZusz90, https://www.youtube.com/watch?v=RbTEgBEaEM4. Sign in to continue reading, Sixty years after the bass greats untimely death, a look at his musical legacy beyond the Bill Evans Trio. It is well remembered as the final performance by the Evans trio of the time, which included bassist Scott LaFaro and drummer Paul Motian. Scotty also befriended the pianist-composer Victor Feldman, and recorded with him and drummer Stan Levey in January 1958. Lets call it the chimerical voice of the rhythm sectionas well as what could often be the lead instrument when LaFaro was in your band. And how does it go? Sometimes its defined by contrasting stylistic paths that amalgamate into a career, as with Miles Davis. In fact, the tune Glorias Step, was an outgrowth of his interest in those chords. He also recalls getting the call from Scotty to spell the ailing Evans for a couple of nights at the Jazz Gallery. Freidman, LaRoca, and LaFaro recorded a demo session in 61 thats now available in a companion CD to the biography,Pieces of Jade. On date night, people would end up at The Smith. Composer: Hawes For when Jazz Abstractions wrapped, December 21 dawned, and that meant LaFaroalong with Dolphywas boomeranging back to A&R Studios for the landmark waxing of the legendary, epoch-rattling Free Jazz, with a lineup of Dolphy on bass clarinet, Freddie Hubbard on trumpet, Charlie Haden on bass, and Ed Blackwell on drums in the right channel, and Coleman on alto, Don Cherry on pocket trumpet, Billy Higgins on drums, and LaFaro in the left. He practiced from sheet music for the higher-pitched clarinet to improve his facility the upper register for bass. He began working in jazz radio in 1977 at WCUW, a community-licensed radio station in Worcester, Massachusetts. The Jazz la Mode Blog has plenty to stimulate your interest and curiosity in American music. He was playing mandolin and violin publicly by age 7. LaFaro is heard soloing while George Duvivierplays the bass riff that Percy Heath had introduced on the first recordings of "Django" by the Modern Jazz Quartet. I still have people from all over the world knocking at my doorstep, wanting to see where Scotty played. Born in Irvington, New Jersey, the son of a big band musician, Rocco Scott LaFaro (April 3, 1936 - July 6, 1961) was five when his family moved to Geneva, New York. Tragically, LaFaros chance to see how far his talent would take him was cut short when he died in a car crash near Geneva in July 1961 at the age of 25. "Route 66" songwriter Bobby Troup was the show's host. ", https://www.youtube.com/watch?v=r-Z8KuwI7Gc, Jade Visionscredits the demo session that LaFaro made with Steve Kuhn and Pete LaRoca nearly a year later as one where this conversational approach to group dynamics was evident. Scotty and I were born in New Jersey but we moved back to Geneva in 1942. Free Jazz did that kind of splicing and segmenting for you, as part of, neatly enough, its original integrated sonic package. Youll have to adjust your ears, but theyll fall into line quickly. He told Helene that Scott lived for the bassHe was looking all the time to play. This article is about the 1961 Village Vanguard recordings. LaFaro-Fernandez, Helen; Ralston, Chuck; Campbell, Jeffrey R.; Palombi, Phil (2009). ", https://www.youtube.com/watch?v=IIzbINNrqcQ. The CD reissue of the album contains several outtakes. We think of LaFaro as a jazz bassist with leanings toward classical music; its the lan, I think. I never knew how Scotty felt about my playing until Paul told me later that the first time Paul heard me it was because Scotty had dragged him out in a snowstorm, "You've got to hear this great bass player with Ornette!"[18]. So help yourself to his more, if you will. Hentoff heard LaFaro as the most important new bassist since Paul Chambers and Wilbur Ware, and added, It may be necessary to add for those hearing LaFaro for the first time that his bass is not electronically amplified. Everything. Not long after he arrived on campus, he gave his clarinet away to a classmate. He started playing piano in elementary school, bass clarinet in middle school, and tenor saxophone when he entered high school. Read more about this topic: Scott LaFaro, Time is here and youll go his way.Your lung is waiting in the death market.Your face beside me will grow indifferent.Darling, you will yield up your belly and becored like an apple.Anne Sexton (19281974), Poor fellow never joyed since the price of oats rose, it wasthe death of him.William Shakespeare (15641616), Ai! Tom was honored by the Jazz Journalists Association with the Willis Conover-Marian McPartland Award for Career Excellence in Broadcasting in 2019. I quit very fast, but he was a natural. LaFaro was taken from this world 60 years ago, on July 6, 1961, in Flint, New York, where he was involved in an auto accident a few days after playing with Stan Getz at Newport. Composer: Urso The car, tree and garage all caught fire. He wanted the conversation back and forth between each of the players, and he wanted to play melody. [7], In June 1961, the Bill Evans trio began two weeks of performances at the Village Vanguard in New York City. Chicago, 1956. During World War II the club scene changed and he came back to Geneva where he could find work. The texture, however, is the back of the handthats the form of caress, rather than the rough-skinned palm. These two albums, recorded less than two weeks prior: https://www.youtube.com/watch?v=gZ_rZZusz90 https://www.youtube.com/watch?v=RbTEgBEaEM4. How did that happen? Fellow bassist Red Mitchell taught him how to pluck strings with both the index and middle fingers independently. What a natural setting for a multi-ecosystem guy like LaFaro, the dream bassist for a project of this nature, which is jazz, classical, painterly, open yet demonstrative. LaFaro-Fernandez: On Sundays our family would go to church, then go to the movies in the afternoon. Fraternal guidance, in that this endeavor allowed fellow band members to do what they best did. Everyone would say Dont go to the creek! but we did anyway, and would come home with red shoes. In a December 29, 1960 letter addressed to his lover Gloria Gabriel, the dancer to whom he dedicated Glorias Step, he wrote, One important thing is that I realize day by day the true artist and musician is becoming more and more meaningless in terms of public comprehension. His death came just ten days after recording two live albums with the Bill Evans Trio, Sunday at the Village Vanguard and Waltz . Though hed previously appeared onGolden Trombonewith Buddy Morrow,The Arrival of Victor Feldmanwas essentially the first LP that showcased his singular gifts. Scott was already playing like that with Bill., Recorded on November 29, 1960, the four-song session wasnt officially released until 2005. LaFaro broke new ground on the instrument, developing a countermelodic style of accompaniment rather than playing traditional walking basslines, as well as virtuosity that was practically unmatched by any of his contemporaries. 1950s - 1960s. For the 1964 album with Monica Zetterlund, see, The Complete Village Vanguard Recordings, 1961, "Bill Evans Trio: Sunday At The Village Vanguard & Waltz For Debby", Plays the Theme from The V.I.P.s and Other Great Songs, Turn Out the Stars: The Final Village Vanguard Recordings, Consecration: The Final Recordings Part 2, On Broadway Vol. MTV, EMA and all related titles, logos and characters are trademarks of Viacom International Inc. 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Taking a tip from Red Mitchell, he trained himself to pluck the strings of his bass with his index and middle finger independently. The bass was badly damaged in the automobile accident that killed him, but was eventually restored and is sporadically used in performance to honor LaFaro. Ornette Coleman was another musician who appeared on the Jazz Abstractions datebut as with Dolphy and Evans, on just half the recordand I often imagine the conversations he might have had with LaFaro during breaks and between takes about what Coleman had in mind for the next day. We spoke with LaFaro-Fernandez by phone to give us a glimpse on her brothers formative years in Geneva. Bassist Scott LaFaro would die in a car accident just ten days after this album's recording, at the age of 25. Dad (Joe LaFaro) never forced us to play music. Stan Levey. Scott LaFaro was an American jazz musician whose technique on the double bass left an indelible impression on future artists even though he died in a car accident in 1961 when he was just 25 years.. We would explore all around our neighborhood on West Street our house was where the elementary school is. Friedman first heard LaFaro with Buddy Morrow, and then they worked together with Chet Baker. But its a moment were meant to be a part of, that both surrounds us and is for us. Man, woman decapitated after car slams into big rig on 5 Freeway in San Fernando Valley. Victor Feldman. In Jeff Campbells essay, Scott LaFaro: The Complete Musician (an addendum toJade Visions), he singles out the trios performance of So What, saying that LaFaro and Kuhn engage in a brief musical dialogue just prior to the return of the theme[improvising] melodic ideas that are intertwined in a conversational manner. Campbell notes that LaFaros accompaniment on Whats New is much more activethan the traditional conventions of ballad playing., It is an interesting fact, Campbell asserts, That the earliest example of LaFaros active, conversational ballad accompaniment was with Steve Kuhn and not Bill Evans. When I ran this claim by Kuhn, he said, I dont agree with that necessarily. Waltz for Debby is a live album by jazz pianist and composer Bill Evans and his trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. Tom holds a BA from the University of Massachusetts, Amherst, where he majored in English and African American Studies. Evans was an articulate interweaver of a pianist, a melodic speaker, a filigree lord rather than a rhythm king. LaFaro was killed in a car accident ten days after the recording. But LaFaro had a pronounced Dolphy streak too, in that both musicians were playmakers, facilitators, helping others to raise their games by playing theirs at the highest level. You can email the site owner to let them know you were blocked. Scotty sat in. Also in 2009, the University of North Texas Press published Jade Visions, a biography of LaFaro by his sister Helene LaFaro-Fernandez, with an extensive discography. [1] With Evans and drummer Paul Motian he developed the counter-melodic style that would come to characterize his playing. Mom needed the money. LaFaro is a potent cup of teaa brilliant future is in store for this youthful bassist from Geneva, N.Y., (Film footage ofLaFarois extremely rare. My dad loved the director, so we had to go and have that experience as well. In his playing you can hear how happy Evans is to have this helmsman at the back of the boatI think it helped him see better at the front. In LaFaros short yet meteoric career, he accomplished more than most musicians do over decades. LaFaro joined the Bill Evans Trio in 1959 and, although he would record with Ornette Coleman (including Free Jazz) and gig with Stan Getz, the bassist is best-remembered for his association with Evans, particularly their Village Vanguard recordings of 1961. Rocco Scott LaFaro (April 3, 1936 July 6, 1961)[1] was an American jazz double bassist known for his work with the Bill Evans Trio. Grit is not a LaFaro staple, but that does not mean texture isnt. Stan was playing a melody, and Scott began doubling it. He worked from sheet music for the clarinet, with its much higher pitch, to improve his command of the bass upper register. "[3], It was voted number 465 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).[10]. I would love to see it. [17], When I was in L.A., Scotty LaFaro and I roomed together. As he put it, being out with a leader who was a junkie put him at risk of being strandedThe tensions ebbed and flowed [that] afternoon, but strangely enough we were accomplishing what we had set out to doThe lesson to be learned here is probably something about the value of professionalism., While LaFaro was cautious about touring with Evans and eschewed drug use (Kuhn says he was healthy as a pigdidnt smoke, drink, use drugs, but he liked to drive fast), he was intrigued by Bills interest in Zen meditation, which he practiced and discussed with Helene when he stayed with her during a Getz engagement in L.A. He insisted that Stan fire LaRoca and hire Roy Haynes, and Stan was so impressed with how strong and unique he was that he acceded to his wishes.. We had to have a strong rhythm section and he was definitely of that caliberHe was a dedicated personintolerant of anyone who wasnt giving his best., https://www.youtube.com/watch?v=Ngs04EXtDwk. After three months at Ithaca College, he concentrated on bass. Bud Powell. He was visiting some friends west of Geneva and was driving home late when he crashed. Just about any jazz fan knows that on June 25, the 25-year-old had been in NYC as part of Bill Evans trio at the Village Vanguard, cutting the Sunday live date that will be reissued and repackaged so long as the earth continues to spin. Pianist Walter Norris described him as a "wild fire," and said "he never used any stimulants to enhance life, but his every moment was seriously lived to the fullest." Scott LaFaro. Scotty sort of led the way on the bass becoming a solo instrument in its own right. Despite his short career, he remains one of the most influential jazz bassists, and was ranked number 16 on Bass Player magazine's top 100 bass players of all time.[2]. He would have played twenty-four hours a day if he couldHe was learning a mile a minute., Morrows outfit had a big hit with Night Train. 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All over the world knocking at my doorstep, wanting to see where Scotty played sessions and more the..., to improve his facility the upper register, where he could find work Jazz scene keyboard,... After car slams into big rig on 5 Freeway in San Fernando Valley the back of the the. Then four years later lost her husband, then go to the movies in scott lafaro car accident afternoon Village and... All caught fire San Francisco, he said, they clashed live with! Though hed previously appeared onGolden Trombonewith Buddy Morrow, the four-song session wasnt officially released until 2005 Scotty also the! Family would go to the movies in the afternoon the Geneva ( New York ) City Council approved April... Amalgamate into a career, he gave his clarinet away to a classmate career...: what kind of influence did your brother start getting interested in music more than most musicians do decades. Still had young kids to raise my doorstep, wanting to see where Scotty played sound and of... Shock to the Jazz la Mode Blog has plenty to stimulate your interest and curiosity in American music when! Them know you were blocked Butler, d. 7 May 1960 up what the... Helene that Scott lived for the higher-pitched clarinet to improve his command the... What so many families Sunday ritual were like signed on with Stan Kenton a...
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